{"id":263,"date":"2012-03-22T00:35:30","date_gmt":"2012-03-22T00:35:30","guid":{"rendered":"http:\/\/nickwood.frogwrite.co.nz\/?p=263"},"modified":"2012-03-22T00:35:30","modified_gmt":"2012-03-22T00:35:30","slug":"nick-wood-augsep-2007","status":"publish","type":"post","link":"https:\/\/nickwood.frogwrite.co.nz\/?p=263","title":{"rendered":"Nick Wood &#8211; August\/September 2007"},"content":{"rendered":"\n<p style=\"text-align: justify;\">It is anti-racism blog week currently:  <a href=\"http:\/\/community.livejournal.com\/ibarw\/\" target=\"_blank\">http:\/\/community.livejournal.com\/ibarw\/<\/a> &#8211; so I guess it&#39;s only fitting I&#39;ve recently read <b>Steve Biko&#39;s<\/b> <i>I write what I like<\/i> &#45; a collection of political essays banned at the time in apartheid South Africa. The official (white) line at the time was obviously that his ideas were of extreme, radical demands and a &#39;terrorist&#39; inspiration. So it was with slight &#45; but not completely unexpected &#45; surprise, that I read the essays with a feeling they were both eminently &#39;common sense&#39; and restrained, laying out the need for a positive &#39;black consciousness&#39; to develop in order to challenge the denigratory and oppressive system then facing black people. Even Biko&#39;s assertion that a black liberation movement needed to remain undiluted by involvement with (liberal) whites made sense in his philosophical justification of the need to develop a strong black &#39;antithesis&#39; to the dominant &#39;thesis&#39; of white power. (The black political opposition had been severely curtailed after the Rivonia treason trial in 1964. This effectively robbed anti-apartheid organizations such as the ANC of their leadership structure.) <\/p>\n<p style=\"text-align: justify;\">The &#39;antithesis&#39; did grow of course, burgeoning in the aftermath of the Soweto uprising in 1976 and the subsequent detention and murder of Biko in 1977:   <a href=\"http:\/\/africanhistory.about.com\/library\/biographies\/blbio-stevebiko.htm\" target=\"_blank\"> http:\/\/africanhistory.about.com\/library\/biographies\/blbio-stevebiko.htm<\/a>. It&#39;s a tragedy that he and so many others never got to see the eventual &#39;synthesis&#39; that emerged from the (dialectical) conflict of &#39;black&#39; and &#39;white&#39; political forces into the non-racial democracy of South Africa in 1994 &#45; when the &#39;Rainbow Nation&#39; was born, with both its&#39; ongoing triumphs and difficulties. <\/p>\n<p style=\"text-align: justify;\">One of the obvious implications of Biko&#39;s philosophy is that it highlighted the experiential chasm between white and black in South Africa at the time, implying little &#8211; if any &#8211; point of meaningful contact. I have a feeling, however, that there may well be similar sorts of experiential chasms currently operating across the world. For a writer trying to create characters that represent a more-rounded and diverse world, this translates into how does one write authentically about characters of significant difference from one&#39;s own background and experience? <\/p>\n<p style=\"text-align: justify;\">For a start, there has been some useful guidelines and suggestions developed in <i><a href=\"http:\/\/www.writingtheother.com\/\" target=\"_blank\">Writing the Other: a Practical Approach<\/a><\/i> by <b>Nisi Shawl and Cynthia Ward<\/b> (2006), as well as perhaps more ironic guidelines such as &#39;How to write about Africa&#39;:  <a href=\"http:\/\/www.granta.com\/extracts\/2615\" target=\"_blank\">http:\/\/www.granta.com\/extracts\/2615<\/a>. Further to that, I think one cannot skimp on where people come from &#45; I&#39;m not taking nationally here, but socio-culturally and politically. Which is why I think science fiction and fantasy in its richest form has an advantage &#45; being not just able to illustrate past or current systems, but additionally being able to speculate and create future or alternate systems too &#45; and to keep pushing the boundaries of experiential understanding, fostering the development of imaginative empathy &#45; for all humans, animals, &#39;aliens&#39; (&#39;illegal&#39; or science-fictionally otherwise)\u2026<\/p>\n<p style=\"text-align: justify;\">And for those who need reminding that today&#39;s so-called &#39;terrorists&#39; may be tomorrow&#39;s &#8211; or even today&#39;s &#8211; &#39;freedom fighters&#39;, there&#39;s always <b>Farah Mendelsohn&#39;s<\/b> edited collection <i>Glorifying Terrorism<\/i>. <a href=\"http:\/\/rackstrawpress.nfshost.com\/\" target=\"_blank\">rackstrawpress.nfshost.com<\/a> <\/p>\n<p style=\"text-align: justify;\">Finally, I would like to thank <b>Tanya Barben<\/b> from the University of Cape Town (UCT) for her  excellent article on the wonderful work of Timlin, from Kimberley in the Cape, who wrote and drew a rare classic fantasy entitled <i>The Ship that Sailed to Mars<\/i>. Tanya&#39;s article has been uploaded into the section on SF in South Africa; part 4, as the work was written in South Africa.<\/p>\n<p style=\"text-align: left;\">Nick Wood &#8211; Aug\/Sep 2007<\/p>\n<p><a href=\"http:\/\/nickwood.frogwrite.co.nz\/?attachment_id=105\" rel=\"attachment wp-att-105\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/nickwood.frogwrite.co.nz\/wp-content\/uploads\/vlinec.png\" alt=\"\" title=\"vlinec\" width=\"140\" height=\"10\" class=\"aligncenter size-full wp-image-105\" \/><\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is anti-racism blog week currently: http:\/\/community.livejournal.com\/ibarw\/ &#8211; so I guess it&#39;s only fitting I&#39;ve recently read Steve Biko&#39;s I write what I like &#45; a collection of political essays banned at the time in apartheid South Africa. The official (white) line at the time was obviously that his ideas were of extreme, radical demands [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,14],"tags":[],"class_list":["post-263","post","type-post","status-publish","format-standard","hentry","category-2007blogs","category-blog"],"_links":{"self":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=263"}],"version-history":[{"count":0,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/263\/revisions"}],"wp:attachment":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}