{"id":420,"date":"2012-03-22T02:37:42","date_gmt":"2012-03-22T02:37:42","guid":{"rendered":"http:\/\/nickwood.frogwrite.co.nz\/?p=420"},"modified":"2012-03-22T02:37:42","modified_gmt":"2012-03-22T02:37:42","slug":"nick-wood-mayjune-2009","status":"publish","type":"post","link":"https:\/\/nickwood.frogwrite.co.nz\/?p=420","title":{"rendered":"Nick Wood &#8211; May\/June 2009"},"content":{"rendered":"<p style=\"text-align: justify;\">I may well need to update my bio sketch now, as I am no longer writing <i>a series of stories about a man torn between the calling of his ancestors and Mars.<\/i> I have indeed finished this and submitted it to a publisher, with a provisional title of <i>Lunar Voices, Ancestral Steps<\/i> or <i>Phulani Matlala, Lunar Astronaut<\/i>.  It&#39;s of a length and style which will hopefully appeal to a late childhood or even early YA audience, i.e. around 9-13 years. I&#39;ve written it with a vivid sense of what captured me at that age &#45; stories such as <b>Tom Swift<\/b>, the science fiction books of <b>Captain W.E. Johns<\/b>, the <b>Heinlein<\/b> &#39;juveniles&#39;, and books with titles such as <i>Stirring Space Stories for Boys<\/i> etc. I read those books growing up in Zambia and South Africa however and so I&#39;ve written mine with an additional entrenched sense of what the future will probably hold &#45; i.e. a greater human diversity represented in the flow of events. I have thus submitted to a publisher interested in reaching a diverse audience. For anyone interested in a synopsis in the meantime, it&#39;s as below: <\/p>\n<div align=\"center\">\n[table \u201c13\u201d not found \/]<br \/>\n\n<\/div>\n<\/p>\n<p style=\"text-align: justify;\">There is an ongoing debate around the issue of cultural appropriation and imperialism, partly represented in the development of the <i>RaceFail &#39;09<\/i> debate: <a href=\"http:\/\/wiki.feministsf.net\/index.php?title=RaceFail_09\" target=\"_blank\">http:\/\/wiki.feministsf.net\/index.php?title=RaceFail_09<\/a>.  As per <b>Nisi Shawl<\/b> and <b>Cynthia Ward&#39;s<\/b> advice in <i>Writing the Other<\/i>: <a href=\"http:\/\/www.writingtheother.com\/\" target=\"_blank\">http:\/\/www.writingtheother.com\/<\/a>, I have obtained the input of an amaZulu consultant around the issue of cultural authenticity and respect within the text. This is not a clear-cut issue though &#45; all cultures shift over time, which impacts on futuristic representations. Furthermore, there is much diversity within cultures, so the issue of what constitutes &#39;legitimate&#39; representation may be of relevance too. I have adopted the stance that the integrity of the story and the protagonist is paramount and the cultural context hopefully enhances this.  There is an amaZulu saying: <i>umuntu ungumuntu ngabanye abantu<\/i>, i.e. loosely translated, we are indeed only human through our &#40;humane&#41; interactions with others. I hope this understanding will emerge in the book&#39;s implicit dialogue with &#40;still as yet only potential&#41; readers. <\/p>\n<p class=\"pl\"> One story which I am pleased should almost certainly see the light of &#40;publication&#41; day is <i>Of Hearts and Monkeys<\/i>, which I have just sold to the UK speculative fiction magazine <i>PostScripts<\/i>: <a href=\"http:\/\/store.pspublishing.co.uk\/acatalog\/postscripts_magazine.html\" target=\"_blank\">http:\/\/store.pspublishing.co.uk\/acatalog\/postscripts_magazine.html<\/a> <\/p>\n<p style=\"text-align: justify;\">The issues raised in the previous paragraph apply to this story too, except with specific reference to amaXhosa culture and input. So why do I write these stories? Both out of admiration and the characters asking for their stories to be written; is the short answer. And no, I don&#39;t believe in the superiority of one culture over another &#45; all cultures no doubt have both strengths and adaptive flaws. But I do believe all cultures and voices need to be heard and validated, as do all people. This is a central belief I&#39;ve developed and strengthened living under apartheid and beyond. &#40;As an aside, there is an excellent recent Channel Four &#40;UK&#41; show on the secret negotiations that heralded the demise of apartheid, entitled <i>Endgame<\/i>, that is worth watching if you can access it: <a href=\"http:\/\/www.channel4.com\/programmes\/endgame\" target=\"_blank\">http:\/\/www.channel4.com\/programmes\/endgame<\/a> &#41; <\/p>\n<p style=\"text-align: justify;\">Current readings? <b>Benjamin Zephaniah&#39;s<\/b> excellent YA book <i>Refugee Boy<\/i> and <b>Craig Gidney&#39;s<\/b> beautifully written collection of short stories <i>Sea, swallow me<\/i>. <b>Craig&#39;s<\/b> collection has been nominated as a finalist in the <i>Lamda Literary Awards<\/i>, due to be announced May 28th: <a href=\"http:\/\/www.lambdaliterary.org\/awards\/current_finalists.html#scifi\" target=\"_blank\">http:\/\/www.lambdaliterary.org\/awards\/current_finalists.html#scif<\/a>  Good luck, <b>Craig!<\/b><\/p>\n<p style=\"text-align: justify;\">I would like to acknowledge Gail Jamieson of <b>Science Fiction South Africa<\/b> for supplying another issue of <a href=\"Probe139.pdf\" target=\"_blank\">Probe &#45; the latest &#45; number 139<\/a>. Three episodes now available on my <a href=\"http:\/\/nickwood.frogwrite.co.nz\/?page_id=97\" target=\"_blank\">downloads<\/a> page. <\/p>\n<p class=\"pl\">Until July then.<\/p>\n<p style=\"text-align: left;\">Nick Wood &#45; May\/June 2009<\/p>\n<p><a href=\"http:\/\/nickwood.frogwrite.co.nz\/?attachment_id=105\" rel=\"attachment wp-att-105\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/nickwood.frogwrite.co.nz\/wp-content\/uploads\/vlinec.png\" alt=\"\" title=\"vlinec\" width=\"140\" height=\"10\" class=\"aligncenter size-full wp-image-105\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I may well need to update my bio sketch now, as I am no longer writing a series of stories about a man torn between the calling of his ancestors and Mars. I have indeed finished this and submitted it to a publisher, with a provisional title of Lunar Voices, Ancestral Steps or Phulani Matlala, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,14],"tags":[],"class_list":["post-420","post","type-post","status-publish","format-standard","hentry","category-2009blogs","category-blog"],"_links":{"self":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=420"}],"version-history":[{"count":0,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/420\/revisions"}],"wp:attachment":[{"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickwood.frogwrite.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}